Two of the tubs were at Jenny's, accompanied by three videos: one of a Russian refugee friend playing with a Tech Deck in one of the tubs that had been filled in to approximate a skatepark bowl and reciting passages from Joseph Conrad's Heart of Darkness in Russian, one of a camera roving through Emberly Furniture, and another of a camera perusing through images Marysia has collected documenting the wreckage of Penn Hills and kids hanging out in it. The show as a whole centers around a totemic use of five heart-shaped bathtubs that Paruzel salvaged from the abandoned Penn Hills resort in the Poconos. I saw the brief Jenny's component of this show a couple of weeks ago, but I held off making up my mind about it because it felt like it was secondary to the part at Emberly Furniture, a store on 5th Avenue that sell midcentury furniture acquired from vacated office buildings. Marysia Paruzel - How To Make It In America - Jenny's - **** The Manhattan Art Comic by Andrew Newell Walther TMAR Worldwide, The Introductory Reviews by Troy Sherman, Simon Smith, Quin Land, and Scott NewmanĪmalia Ulman's El Planeta by Almog Cohen-Kashi Look Again: European Paintings 1300-1800 The Metropolitan Museum of Art by Troy Sherman Vertigo of Color: Matisse, Derain, and the Origins of Fauvism The Metropolitan Museum of Art by Scott Newman Theodor Adorno - Aesthetic Theory - *****Īndrea Fraser: Collected Interviews 1990-2018 1Įmily Segal - Mercury Retrograde (The Question of Coolness) Gerhard Richter Marian Goodman & Lise Soskolne Svetlana, Park McArthur Essex Street, The Cleaners of Mars Reena Spaulings - Addendum: Notes on Psychedelic ArtĬoncerning Superfluities Essex Street vs. Isa Genzken Galerie Buchholz, Art Club2000 Artists Space, Jef Geys Essex Street In Search of the Worst Painting on the Lower East Side The Manhattan Art Christmas Movie Review Special: Notes on Eyes Wide Shut Paul McCarthy and the Negative Sublime, Paul McCarthy Hauser & Wirth The Aesthetics of the Refusal of Aesthetics, Sara Deraedt Essex Street (2016) The Rules of Appropriation Liz Magor, For Example, Liz Magor Andrew Kreps The Manhattan Art Review's Best & Worst Art Shows of 2021Ī Response to Eric Schmid's Press Release for Henry Fool Triest Why Does The Whitney Biennial Suck So Much? The Painter's New Tools Nahmad Contemporary, Manhattan Claude Balls Int The Manhattan Art Review's Best & Worst Art Shows of 2022 It's Pablo-Matic: Picasso According to Hannah Gadsby Brooklyn Museum The Manhattan Art Review's Best & Worst Art Shows of 2023
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